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Back to The Treatment

The Treatment

Malcolm D. Lee: The Best Man Holiday

Writer/director Malcolm D. Lee on why it took him 14 years to make a sequel to "The Best Man." Plus, what is a 'black' movie, anyway?

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By Elvis Mitchell • Nov 27, 2013 • 29m Listen

Malcolm D. Lee was originally inspired to make The Best Man after watching movies like The Big Chill, Four Weddings and a Funeral and Diner. He was drawn to their ensemble casts, and their balance of comedy and drama. The films he's made since, like Roll Bounce, Welcome Home, Roscoe Jenkins and, now, The Best Man Holiday, use those same elements to tell stories about the black middle class, a group that's vastly underrepresented in American film. Lee talks about the concept of the "black movie" as a genre, and the challenge of selling films about multidimensional, educated, articulate black people. Also, his reaction to almost beating Thor at the box office during opening weekend.

Banner image: Malcolm D. Lee (L) on the set of

The Best Man Holiday with actor Morris Chestnut

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Elvis Mitchell

    host of KCRW’s The Treatment

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    Jenny Radelet

    Producer, 'The Treatment'

    Culture
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