Serving up a bowl of global granola for your Monday
KCRW’s signature music program — defying format since 1977.

“The Experiment is prolific, a vault of stories,” states the manifesto posted on the website for LA-via-Baltimore sibling duo, The South Hill Experiment. The S.H.E. asks you to remember what you love about music. Try it, you never know. The most exciting time to make music is always right now.”
They bring that ethos to KCRW’s Annenberg Performance Studio for a beautifully dissonant set of jazz-folk dynamics to handily carry us well past the “hump” in hump day. Decked out as “old school middle school art teachers” (with a dash of mad scientist for good measure), the core members Baird Acheson (guitar), Gabe “Goldwash” Acheson (keys), and their support team — Tim McNalley (bass), Mano Ruiz (drums), and Ryan Raines (drums) — run through the project’s expansive catalog. Think Crosby, Stills, Nash (or some combo there of) layered over heavy rhythms and effects galore. Scrub to 02:04:55 via the player button to your left to get right to the goods and prepare to swoon for KCRW faves like “Chameleons” and “DREAMS!” alongside the latest like “BONITA” from their freshly released EP South Hill & Friends. Plus, in conversation with Novena Carmel they hint at some big pop collabs in the future… Maybe even one with an artist that “you could call, probably.”
KCRW’s signature music program — defying format since 1977.
Peanut Butter Wolf goes deep into a lifetime of collecting, pulling from more than 50,000 records alongside a digital archive packed with unreleased music and overlooked discoveries. The founder of Stones Throw Records favors the underdog, moving through hip-hop, funk, soul, electronic music, oddball records, rarities, and sounds that resist easy categorization. Inspired by generations of adventurous DJs and selectors, the show treats digging as an art form and the unexpected find as the ultimate reward. Tune in every third Sunday of the month from 8 to 10pm.
A mix of all kinds, from all over and all time. Henry Rollins treats the radio as a place for serious musical exploration, bringing punk, experimental music, jazz, global sounds, independent releases, archival discoveries, and whatever else demands to be heard into the same restless orbit. The selections can travel across decades and continents in minutes, driven less by genre than an insatiable appetite for records and discovery. It’s radio for listeners willing to follow the music wherever it goes. Tune in Mondays from 10pm to midnight and Fridays from 8 to 10pm.