
Created specifically for the bench located at LACMA’s David Geffen Galleries along the Wilshire Boulevard overpass, this special edit of Big Empty Country taken from Eno and Wolfe’s album, ‘Lateral' transforms the act of sitting and observing into a listening experience. Designed to accompany the movement of the city just beyond the museum, the piece invites a moment of pause where sound, architecture, and the rhythm of Los Angeles converge. Subtle and immersive, it becomes part of the environment itself, offering a contemplative counterpoint to the constant flow of Wilshire Boulevard.
"An art gallery is a place you go to have feelings and inhabit other possible worlds. For us, this piece of music feels like a place, a new land we could imagine living in. Any piece of art is a world in microcosm and we’re grateful for the chance to share this one with the visitors to LACMA, to offer them a chance to pause here." - Brian Eno & Beatie Wolfe
John Tejada maps electronic music across time, connecting the underground’s history with the sounds shaping its future. Deep cuts and new releases move through techno, electro, house, ambient, and other corners of electronic music, with each selection building naturally into the next. The show is as much about flow as discovery, tracing the ideas, rhythms, and innovations that continue to push electronic music forward. Expect established innovators alongside emerging producers and overlooked gems from decades past. Tune in to John’s show Tuesday and Saturday nights from 10pm to midnight.
Peanut Butter Wolf goes deep into a lifetime of collecting, pulling from more than 50,000 records alongside a digital archive packed with unreleased music and overlooked discoveries. The founder of Stones Throw Records favors the underdog, moving through hip-hop, funk, soul, electronic music, oddball records, rarities, and sounds that resist easy categorization. Inspired by generations of adventurous DJs and selectors, the show treats digging as an art form and the unexpected find as the ultimate reward. Tune in every third Sunday of the month from 8 to 10pm.
A mix of all kinds, from all over and all time. Henry Rollins treats the radio as a place for serious musical exploration, bringing punk, experimental music, jazz, global sounds, independent releases, archival discoveries, and whatever else demands to be heard into the same restless orbit. The selections can travel across decades and continents in minutes, driven less by genre than an insatiable appetite for records and discovery. It’s radio for listeners willing to follow the music wherever it goes. Tune in Mondays from 10pm to midnight and Fridays from 8 to 10pm.