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Back to Press Play with Madeleine Brand

Press Play with Madeleine Brand

‘Miles Davis: Birth of the Cool’ tells the musician’s life story

Miles Davis’ music was a soundtrack to the black experience in America, even as he struggled with relationships, addiction, and health. A new documentary tells Davis’ life story using never-before-seen footage, studio outtakes, and rare photos of Davis.

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By Madeleine Brand • Feb 25, 2020 • 2 min read

Miles Davis’ music was a soundtrack to the black experience in America, even as he struggled with relationships, addiction, and health.

A new documentary tells Davis’ life story using never-before-seen footage, studio outtakes, and rare photos of Davis. “Miles Davis: Birth of the Cool” airs February 25 on PBS.

Director Stanley Nelson says, “Not only is he a great musician [who] changed the course of jazz and also the course of music several times in his lifetime, but also he's such an interesting individual.”

Nelson says Davis received a trumpet in grade school and immediately took to it. “He's a genius at a young age. But also Miles had two jobs in his life. He had a paper route for a couple of weeks as a kid, and he was a musician. So Miles, because his family had some wealth, Miles was able to just play.”

The director explains that when Davis was 14, he got a job with a local music group in East St. Louis, and he became the band’s leader because the other musicians had day jobs. He then became a student at Juilliard in New York, where he found and played with American jazz saxophonist and composer Charlie Parker.

As Davis made his mark in music, he became known for his raspy voice.

“I think around 1956, he had throat polyps, and he had an operation to remove these polyps. You know, a pretty simple operation,” Nelson says. “But he was told that he could not speak or raise his voice for two weeks. And Miles gets mad at somebody and starts cursing them out and screaming at him. And that was it, for the rest of his life, his voice was like that [raspy].”

Davis’ turbulent relationship with women

Davis was married several times, and many of his (former) wives said he was physically violent with them, particularly dancer Francis Taylor.

“It’s hard to say definitively why somebody is like that. But one of things I think [is] most telling: Miles actually, from his autobiography in the film, he tells a story about how … he saw his mother and father have physical fights. He says, ‘It had to affect us somehow, but I don't know how.’ And I think as the film goes on, you kind of see how it affected Miles because he has very abusive relationships with women,” Nelson says.

The director points out that Miles really needed the women, however. “It's clear how much he needed Frances. And he's heartbroken when Frances finally leaves.”

Later, Davis was influenced by the Woodstock generation and married musician Betty Mabry, who introduced him to rock music.

“Miles starts listening more and more to Jimi Hendrix, and Sly and the Family Stone, and James Brown, and wants to kind of change the way he's going,” says Nelson.

In 1991, Davis died at age 65 from complications from a stroke.

--Written by Amy Ta, produced by Rosalie Atkinson

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    Madeleine Brand

    Host, 'Press Play'

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    Sarah Sweeney

    Vice President of Talk Programming, KCRW

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    Michell Eloy

    Line Editor, Press Play

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    Amy Ta

    Digital News & Culture Editor

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    Stanley Nelson

    co-director, “Attica”

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Back to Press Play with Madeleine Brand