Listen Live
Donate
 on air
Schedule

KCRW

Read & Explore

  • News
  • Entertainment
  • Food
  • Culture
  • Events

Listen

  • Live Radio
  • Music
  • Podcasts
  • Full Schedule

Information

  • About
  • Careers
  • Help / FAQ
  • Newsletters
  • Contact

Support

  • Become a Member
  • Become a VIP
  • Ways to Give
  • Shop
  • Member Perks

Become a Member

Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

DonateGive Monthly

Copyright 2025 KCRW. All rights reserved.

Report a Bug|Privacy Policy|Terms of Service|
Cookie Policy
|FCC Public Files

AGULA: A Swiss-Mongolian Music Exchange Project

At first glance, AGULA: A Swiss-Mongolian Music Exchange Project, with its academic title and cover art, may give the appearance of being just another experiment in world music fusion, but believe you me—this is one album definitely not to…

  • Share
By Tom Schnabel • May 27, 2015 • 1 min read

At first glance, AGULA: A Swiss-Mongolian Music Exchange Project, with its academic title and cover art, may give the appearance of being just another experiment in world music fusion, but believe you me—this is one album definitely not to be overlooked.

I haven’t been able to stop listening to AGULA, a gorgeous, multi-layered collaboration between the American-born, Swiss double bassist-led Heiri Känzig Quintetand Ulaanbaatar’s Arga Bileg ethno-jazz band. The latter are an 11-member collective of musicians and dancers who straddle both contemporary jazz and traditional Mongolian folk practices. Känzigis a longtime member of the Vienna Art Orchestra, who has also toured and recorded with countless artists for Blue Note, Verve, ACT, and Virgin, flexing his fingers between classical, jazz and world music.

With original compositions by both Känzig and Arga Bileg composer Purevsukh Tyeliman, what would have been an otherwise dauntingly impossible project juxtaposing Mongolian khöömiibi-tonal throat singing with western voices, the traditional morin khuur (horse head fiddles) and yatga (plucked zither) with piano, double bass, accordion, horn, flugelhorn, drums and percussion—clearly, no easy feat—is absolute perfection. AGULA’ssound is exquisite in its intricacies and not at all contrived in the way that skeptics—like me—usually think.

This new release’s most unusual musical partnership was the result of a celebration last year marking the 50th anniversary of diplomatic relations between the two countries, as Switzerland was the very first to become Mongolia’s non-socialist trading partner back in 1964. And in the past ten years, the Swiss Development Cooperation Agency has played a significant role in supporting the country’s arts and culture program, sponsoring projects like AGULA, in partnership with the Arts Council of Mongolia.

The title, AGULA, takes its name from an old Mongolian term for the word ‘mountain,’ a geographical feature that both countries share in common: the Altai (14,783ft.); and the Alps (15,203ft.). While these two countries may seem worlds apart from one another, they have certainly proved again that the universal language of music can transcend any and all language and cultural boundaries.

The Heiri Känzig Quintet and Arga Bileg ethno-jazz band create audio alchemy on AGULA, evoking Mongolia’s nomadic tradition and vast grasslands.

The making of AGULA: A Swiss-Mongolian Music Exchange Project.

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Tom Schnabel

    host of KCRW’s Rhythm Planet

    Music NewsRhythm PlanetWorld MusicBest New Music