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Back to Design and Architecture

Design and Architecture

LACMA by Zumthor: An 'Inkblot' on the Landscape

If you head West on that ride, the endpoint will be the Los Angeles County Museum of Art, which right now is itself the subject of a PSTP exhibit, " The Presence of the Past : Peter Zumthor Reconsiders LACMA." T he exhibit's restrained title masks the surprise you get on seeing the show.

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By Frances Anderton • May 12, 2014 • 1 min read

If you head West on that ride, the endpoint will be the Los Angeles County Museum of Art, which right now is itself the subject of a PSTP exhibit, "The Presence of the Past: Peter Zumthor Reconsiders LACMA." The exhibit's restrained title masks the surprise you get on seeing the show. In addition to plans and models telling the story of the site, dating back to prehistory and the tar pits, the main event is towards the back of the Resnick Pavilion -- a huge dark gray concrete model of a dramatic new building being proposed for the site, by Swiss architect Peter Zumthor, that has been described variously as an "inkblot," an "amoeba" and a "black flower."

In the first of an ongoing look at this project, architecture reporter Edward Lifson and LACMA director Michael Govan give us a brief history of the site and how the new building would remake this part of Wilshire.

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Frances Anderton

    architecture critic and author

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Frances Anderton

    architecture critic and author

  • KCRW placeholder

    Edward Lifson

    USC School of Architecture

  • KCRW placeholder

    Michael Govan

    CEO Director of LACMA

    Culture
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