Listen Live
Donate
 on air
Schedule

KCRW

Read & Explore

  • News
  • Entertainment
  • Food
  • Culture
  • Events

Listen

  • Live Radio
  • Music
  • Podcasts
  • Full Schedule

Information

  • About
  • Careers
  • Help / FAQ
  • Newsletters
  • Contact

Support

  • Become a Member
  • Become a VIP
  • Ways to Give
  • Shop
  • Member Perks

Become a Member

Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

DonateGive Monthly

Copyright 2025 KCRW. All rights reserved.

Report a Bug|Privacy Policy|Terms of Service|
Cookie Policy
|FCC Public Files

Back to The Business

The Business

Jim Gianopulos out at Paramount, next Christopher Nolan film goes to Universal

Jim Gianopulos has been fired as the head of Paramount Pictures. The move is not a surprising one, as Gianopulos was an old-school studio chief who worked to keep big movie stars happy by giving big films exclusive theatrical releases.

  • rss
  • Share
By Kim Masters • Sep 18, 2021 • 9m Listen

Jim Gianopulos has been fired as the head of Paramount Pictures. The move is not a surprising one, as Gianopulos was an old-school studio chief who worked to keep big movie stars happy by giving big films exclusive theatrical releases.

But Shari Redstone, chairman of parent company ViacomCBS, is desperate to get the company in good enough shape for her to sell it, and that means bulking up the streamer Paramount+.

The emphasis on streaming put Gianopulos between a rock and a hard place, as stars like Tom Cruise, who headlines two upcoming Paramount films, was never going to stand for his movies to go straight to streaming.

The person taking Gianopulos’ job is Brian Robbins, the president of Nickelodeon, former child actor, and director of movies including “Good Burger” and “Norbit.” Part of his job will be overseeing the creation of fast, cheap, and probably not-very-good films for Paramount+.

For his next film, Christopher Nolan had several demands for potential studios, including a 110-day exclusive theatrical window, which is more than the standard 90-day window and way more than the recently common 45-day window. He also wanted a blackout period where the studio would not release another movie in the weeks before or after his film.

Nolan ended up picking Universal for his next project, a World War II drama about the creation of the atom bomb.

With so few studios committed to theatrical releases, only a few contenders were ever really in the running. Nolan doesn’t make the kind of movies Disney is interested in, Paramount just fired its theater-friendly studio chief, and while Sony chairman Tom Rothman was able to woo Quentin Tarantino for “Once Upon a Time in Hollywood” and would have loved to have this Nolan film as well, Universal ultimately won.

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Kim Masters

    partner/writer at Puck News, host of KCRW's “The Business.”

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Kaitlin Parker

    Producer, 'The Business' and 'Hollywood Breakdown'

  • KCRW placeholder

    Matthew Belloni

    founding partner of Puck News

    NewsCultureEntertainmentArtsBusiness & Economy
Back to The Business