
Christone “Kingfish” Ingram is just 22 years old, but he has already established himself as a scion of the Delta blues. You might have seen the guitarist and singer out of the 662 — Clarksdale, Mississippi — alongside the legendary Rakim on NPR’s Tiny Desk or on tour with Vampire Weekend, or maybe you caught his just-released acclaimed second album “662.”
Today, however, we get to put ears on Ingram and his guitar with the world premiere of his new track “Letter from Bluewater Man.” The blues phenom penned the track for the latest update of Rockstar Games’ Red Dead Online: Blood Money, for which he also voices the character Bluewater John. But you don’t need to be a video game fan to appreciate Ingram’s sparse arrangement, lilting guitar, and soul-punch vocals on a tune that truly stands on its own.
Ahead of its Aug. 20 release, put ears on the exclusive first listen of Christone “Kingfish” Ingram’s “Letter from Bluewater Man” over at the player to your left.
John Tejada maps electronic music across time, connecting the underground’s history with the sounds shaping its future. Deep cuts and new releases move through techno, electro, house, ambient, and other corners of electronic music, with each selection building naturally into the next. The show is as much about flow as discovery, tracing the ideas, rhythms, and innovations that continue to push electronic music forward. Expect established innovators alongside emerging producers and overlooked gems from decades past. Tune in to John’s show Tuesday and Saturday nights from 10pm to midnight.
Peanut Butter Wolf goes deep into a lifetime of collecting, pulling from more than 50,000 records alongside a digital archive packed with unreleased music and overlooked discoveries. The founder of Stones Throw Records favors the underdog, moving through hip-hop, funk, soul, electronic music, oddball records, rarities, and sounds that resist easy categorization. Inspired by generations of adventurous DJs and selectors, the show treats digging as an art form and the unexpected find as the ultimate reward. Tune in every third Sunday of the month from 8 to 10pm.
A mix of all kinds, from all over and all time. Henry Rollins treats the radio as a place for serious musical exploration, bringing punk, experimental music, jazz, global sounds, independent releases, archival discoveries, and whatever else demands to be heard into the same restless orbit. The selections can travel across decades and continents in minutes, driven less by genre than an insatiable appetite for records and discovery. It’s radio for listeners willing to follow the music wherever it goes. Tune in Mondays from 10pm to midnight and Fridays from 8 to 10pm.