Half A World Away
It’s September of 1984. And Deirdre is head over heels for a fast-rising quartet from Athens, Georgia called R.E.M. In just a few years, the band’s music will be inescapable on commercial and college radio alike — and their massive success will mark a turning point for the American musical underground.
“There were moments when R.E.M., my former band, were hugely popular,” says ex-singer Michael Stipe. “And we were able to really push the boundaries of what's acceptable within mainstream culture. KCRW and Deirdre and ‘SNAP!’ were doing the same thing.”
Stipe was a close friend of Deirdre’s, and of the countless bands who passed through their orbit. He gave Concrete Blonde their name; produced Vic Chesnutt’s first two albums; and introduced Deirdre to Hugo Largo, which led to their signing with Brian Eno’s record label. In this episode, Stipe reflects on his life in LA in the mid-’80s, at a time when he and Deirdre were kindred spirits.
There was an error while rendering this tile