David Cronenberg on KCRW
More from KCRW
Is Hollywood finally breaking free of toxic gender stereotypes?
HollywoodFilms like “Palmer,” released on Apple+ in late January, are redefining how global audiences understand gender constructs in previously unthinkable ways.
George Saunders: “A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life” (Part 1)
BooksThe first in a two-parter with George Saunders discussing his new book, "A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life."
Ann Beattie: A Wonderful Stroke of Luck
BooksBen’s life falls down around him, and he’s the protagonist, in A Wonderful Stroke of Luck , by master writer Ann Beattie.
Afrofuturist utopias and ceramics made from Martian soil
ArtsThis art week’s picks include an artist’s Afrofuturist vision of utopia; textural paintings that highlight the pandemic-induced emotions; and ceramic forms made from simulated Martian…
Tenants with months of back rent hope statewide relief will help
Business & EconomyDuring the pandemic, many renters have stayed in their homes because of local and state eviction protections, but are still on the hook for back rent.
Why museums are still closed while other businesses have reopened in California
ArtsIndoor museums are still closed — while malls, tattoo shops, hair and nail salons have been open since Gov. Gavin Newsom lifted parts of the state’s stay-at-home order last month.
Kanaval: Haitian Rhythms & the Music of New Orleans
ArtsMuch of what distinguishes New Orleans today from other American cities can be traced back to deep French and African influences from the Caribbean Island now called Haiti.
On the road again--and again
HollywoodIn Chloé Zhao's gorgeous "Nomadland," a woman in her 60s, played with gusto and intimations of grief by Frances McDormand, joins a transient population of older and just plain old…
Filmmaker Lee Isaac Chung and producer Christina Oh on ‘Minari’
HollywoodThe new movie “Minari” is a personal story from filmmaker Lee Isaac Chung. It’s about a Korean American family struggling to run a small Arkansas farm in the 1980s.