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Justin Simien

Justin Simien

Guest

Justin Simien is a writer, director, and producer of both television and film based in Los Angeles, California. In 2014 he wrote and directed his first feature film, the critically acclaimed Indie Dear White People, which premiered at the Sundance Film Festival. After being called “timely and important” by critics and audiences alike, the project won him the Special Jury Award for Breakthrough Talent and was picked up by Lionsgate/Roadside Attractions. 

After the theatrical release of Dear White People in the Fall of 2014, Simien was awarded Best First Screenplay and nominated for Best First Feature at the Independent Spirit Awards. The film also earned him a nomination for the Bingham Ray Breakthrough Director Award at that year’s Gotham Awards, along with a nomination for the Audience Award. Actress Tessa Thompson also garnered a Breakthrough Actor win at the Gotham Awards for her leading performance as the fearless and controversial Sam White. Simien was included in Variety’s “10 Directors to Watch” roundup for that year.

Simien adapted Dear White People into a series for streaming giant Netflix, which debut in 2017, with many of the original cast returning to continue the story. The show, which recently debuted its second season, remains at a coveted and rare 100% on Rotten Tomatoes for both the first & second seasons. Simien’s next project will be writing and directing his second feature length film entitled Bad Hair. Paralleling the rise of New Jack Swing in 1989, Bad Hair is a horror satire that follows an ambitious young woman who gets a weave in order to survive the image obsessed world of music television. Her professional success comes at a higher cost than anticipated, however, when she discovers her new hair may have a mind of its own…

Justin Simien on KCRW

This week, we’re taking one last look back at some of our favorite moments of the year that was.

Revisiting some recent favorites

This week, we’re taking one last look back at some of our favorite moments of the year that was.

from The Business

In the season finale of Don’t @ Me, Boots Riley shares his history, muses, and the long road to one of 2018’s finest films, Sorry to Bother You.

Sorry to Bother You

In the season finale of Don’t @ Me, Boots Riley shares his history, muses, and the long road to one of 2018’s finest films, Sorry to Bother You.

from Don't @ Me with Justin Simien

Justin talks about what it’s like to be a filmmaker   outside   of the traditional studio system with producers Alana Mayo from Michael B.

The Unicorns

Justin talks about what it’s like to be a filmmaker outside of the traditional studio system with producers Alana Mayo from Michael B.

from Don't @ Me with Justin Simien

More from KCRW

With Disney's acquisition of most of 20th Century Fox expected to be officially complete any day now, what does the future look like for the assets that will remain under the control…

from Screengrab

Edward Goldman talks about art adventures during Oscars weekend.

from Art Talk

Sea Monsters is a fascinatingly consistent and exquisitely shaped novel by Chloe Aridjis.

from Bookworm

Almost every residential development in downtown aims to attract pet owners, and doggie businesses outnumber those aimed at children.

from Design and Architecture

Just as Disney's acquisition of most of Fox is about to be complete, a huge decision regarding the long-running Fox show 'Bones' has come to light.

from Hollywood Breakdown

If you’ve been patiently waiting for a play about roller derby, I have good news.

from Opening the Curtain

Last week Netflix announced it was canceling the critically-adored sitcom   'One Day at a Time,' and TV Twitter got very upset.

from Screengrab

It takes a long time for “Captain Marvel” to focus its force fields.

from Film Reviews

Two radio producers and a conservationist explore grief, loss, and caribou habitat on a snowy walk in the woods.

from Here Be Monsters