Justin Simien

Justin Simien

Host of "Don't @ Me," and writer, director, producer of “Dear White People."

Guest

Justin Simien is a writer, director, and producer of both television and film based in Los Angeles, California. In 2014 he wrote and directed his first feature film, the critically acclaimed Indie Dear White People, which premiered at the Sundance Film Festival. After being called “timely and important” by critics and audiences alike, the project won him the Special Jury Award for Breakthrough Talent and was picked up by Lionsgate/Roadside Attractions. 

After the theatrical release of Dear White People in the Fall of 2014, Simien was awarded Best First Screenplay and nominated for Best First Feature at the Independent Spirit Awards. The film also earned him a nomination for the Bingham Ray Breakthrough Director Award at that year’s Gotham Awards, along with a nomination for the Audience Award. Actress Tessa Thompson also garnered a Breakthrough Actor win at the Gotham Awards for her leading performance as the fearless and controversial Sam White. Simien was included in Variety’s “10 Directors to Watch” roundup for that year.

Simien adapted Dear White People into a series for streaming giant Netflix, which debut in 2017, with many of the original cast returning to continue the story. The show, which recently debuted its second season, remains at a coveted and rare 100% on Rotten Tomatoes for both the first & second seasons. Simien’s next project will be writing and directing his second feature length film entitled Bad Hair. Paralleling the rise of New Jack Swing in 1989, Bad Hair is a horror satire that follows an ambitious young woman who gets a weave in order to survive the image obsessed world of music television. Her professional success comes at a higher cost than anticipated, however, when she discovers her new hair may have a mind of its own…

Justin Simien on KCRW

This week, we’re taking one last look back at some of our favorite moments of the year that was.

Revisiting some recent favorites

This week, we’re taking one last look back at some of our favorite moments of the year that was.

from The Business

In the season finale of Don’t @ Me, Boots Riley shares his history, muses, and the long road to one of 2018’s finest films, Sorry to Bother You.

Sorry to Bother You

In the season finale of Don’t @ Me, Boots Riley shares his history, muses, and the long road to one of 2018’s finest films, Sorry to Bother You.

from Don't @ Me with Justin Simien

Justin talks about what it’s like to be a filmmaker   outside   of the traditional studio system with producers Alana Mayo from Michael B.

The Unicorns

Justin talks about what it’s like to be a filmmaker outside of the traditional studio system with producers Alana Mayo from Michael B.

from Don't @ Me with Justin Simien

More from KCRW

Kim Masters and Matt Belloni report on the latest in the Disney proxy battle, and the banter partners examine the outrage of NBC staff following the brief, yet confounding, hiring of…

from The Business

Manchester indie-dance quartet Porij brings cuts from their debut EP “Teething,” including “Unpredictable” to KCRW HQ.

from Live From

Grammy-winning Guatemalan singer Gaby Moreno makes her KCRW live debut for us with intoxicating cuts from new LP “Dusk.”

from Live From

Dutch melodist Benny Sings and his megawatt band hit Apogee Studio with cuts from the acclaimed 2023 LP “Young Hearts,” including “Pyjamas” and “Movie Star.”

from Live From

Kim Masters and Matt Belloni take a look at Jeff Skoll’s decision to close Participant Media after 20 years.

from The Business

Lorraine Nicholson talks playdates at Playboy Mansion, Oscar-nominee Ellen Mirojnick talks costuming “Oppenheimer,” and Sir Patrick Stewart has The Treat.

from The Treatment

KCRW remembers Angela McCluskey, formerly of Wild Colonials, with a selection of KCRW live appearances.

Kiefer Sutherland on Jack Bauer and William Friedkin, Jovan Adepo on “3 Body Problem,” NPR’s Scott Simon on The Treat.

from The Treatment

Lost Notes explores how Fela Kuti’s time in LA in 1969 was instrumental in the creation of his legendary Afrobeat sound.

from Lost Notes