FROM Karin Fong
Los Angeles, 2106, and the Holiday Season 2006 At this year's end it's time for reflection. But some architects are looking ahead--way ahead--to Los Angeles, 2106. We’ll also hear from designers about artful books, "limited edition" gifts and an all-American holiday tradition. Also discussed on today's show: Chlorofilia: A fictional documentary about the self-sustaining, living jungle that has taken the place of LA in 2106, created by the team of Xefirotarch and Imaginary Forces . The team won the IBM Engineering Innovation Award. The History Channel's The City of the Future competition will begin online voting on January 2. Read this LA Times article about the Los Angeles competition. Christina Patoski's decorated house pick: 1077 East Gran Via Valmonte, Palm Springs, CA 92262; designed by Kenny Irwin. Jenna Didier's favorite building: AES Redondo Power Station, 1100 Harbor Drive, Redondo Beach, CA 90277. The building, which is not open to the public, can be booked for special occasions. Didier and her partner Oliver Hess, did an art installation at the station for the Redondo Beach Art Group, and the Group will host another event there.
Fighting for the soul of the California Democratic Party Over the weekend, Eric Bauman was elected as the new chair of the California Democratic Party. But his main opponent, progressive Kimberly Ellis has not conceded. It was a raucous weekend with Bernie Sanders supporters saying the party is not listening to their concerns.
Border wall builders, private art museums, Stamen Design An LA city councilman wants companies who want to do business with LA to disclose if they're also working on the US-Mexico border wall. Forget old-school bar graphs and pie charts -- depicting data has become an art form. And another private art museum opens soon in Los Angeles, but this one takes you into the fascinating world of freemasonry.
'American Gods' showrunners Bryan Fuller and Michael Green The novel American Gods features countless mythological characters gearing up to fight an epic battle. The writer-producers of the new adaptation on Starz were determined to do justice to the book -- even if that meant constantly moving production and pushing the budget. Showrunners Michael Green and Bryan Fuller tell us why they're not worried about critics who say the show is confusing, and go into the thinking behind an especially memorable, explicit sex scene.