Critics are just so-so on The Good Doctor, but the show, in a surprise to some, has connected with a massive audience. The drama is super sappy and sentimental, which perhaps is what people are craving as the rest of the world seems to be descending into dark times. The series is also being praised for Freddie Highmore's performance and for the way autism is portrayed onscreen, something that's also happening with the Netflix show Atypical. Now the tough part will be hanging on to those viewers in the age of ADD TV. Designated Survivor -- last year's biggest hit on ABC -- lost half its audience from Season 1 to 2.
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Are networks failing when it comes to finales? A couple of recent broadcast series finales have gone out with a whimper rather than a bang. And other recently-canceled shows didn't even have the chance to air a true finale. Should networks take more care in providing a fond farewell for once-beloved shows, even if ratings aren't what they used to be?
Checking in on the upfronts: cancelations, pickups, diversity & more Mike's in New York for the annual TV upfronts, where all the networks give presentations to ad buyers, hoping to convince them to invest in the upcoming season. It's also the time of year when we learn which shows live and die.
In the war of the streamers, where does Hulu stack up? With its critical acclaim and buckets of awards, 'The Handmaid's Tale' was a major milestone for Hulu. Now the series is back for a second season, but Hulu hasn't made much other noise in terms of original shows. Does Hulu need to up its development game, or is this all part of its strategy?
Are longer episodes better episodes? 'Westworld' is back on HBO and the drama has even more puzzles to solve and timelines to unravel...which may explain why the season two premiere was more than an hour long. 'Westworld' is not alone in this trend of dramas creeping above the 60-minute mark, but do longer episodes really make for better viewing?